This list of the best screenwriting books — all of which I’ve read — are useful depending on where you are in your screenwriting journey.
If you’ve already written something, I’d go for Akers’s “Your Screenplay Sucks!,” which will highlight the mistakes you didn’t know you made, and help you correct them. Also, Croasmun’s book on marketing your script is invaluable to help you navigate, with confidence, Hollywood’s world of “no.”
McKee’s “Story” is all about crafting strong characters, compelling scenes, and overall story structure. If you haven’t been able to attend his highly recommend seminars — attended by many Oscar- and Emmy-winning screenwriters — it’s all covered in this text.
Screenwriters are always told to write visually because film is a visual medium, and “SMASH CUT TO” somehow has emerged as a “technique” to convey a sudden cut to a new scene. As Benedict Cumberbatch’s Sherlock would say — actually, he would rightfully dismiss you with, perhaps, a glare, if even that, and move on to higher intellectual ground, where you should be, because SMASH CUT TO, if anything, actually will get in the way of the dramatic transition effect for which you poorly are attempting to compensate. The key to a dramatically effective transition from one scene to the next stems not from terminology, but instead from Continue reading “SMASH CUT TO: Another lame transition”