If you attended the Aug. 1 script reading that included my Greek diner sitcom, please take this brief anonymous 8-question survey to share your views about the story and characters. Your feedback is very valuable to me.
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You’ve heard the phrase “writing is rewriting,” and that’s particularly true for screenplays and sitcoms because your goal as the writer must be to entertain, and the whole point of the rewrite is to shape your script into one that maximizes the Continue reading “How to rewrite and improve the script”
Sometimes it’s tempting to start pounding out dialogue for a scene before you’ve fully plotted the story or thought about core character traits, but such hastily written dialogue quite often is the worst thing screenwriters write — at least during the first draft anyway — because the goal of the first draft is to finish a first draft, not to have in hand a refined industry-worthy screenplay. But it’s okay, because dialogue easily can be improved simply by Continue reading “How to write a sitcom (step #4): Delivering the snappy dialogue”
All television shows, regardless of genre or “on location” shooting, have scenes in every episode set in a handful of primary locations:
Since the sitcom I’m developing will be part of TheFilmSchool’s FREE staged screenplay reading series later this summer (August 1, at Seattle’s ACT – A Contemporary Theatre), I thought, for some reason, it would be a good exercise to document the full-on, start-to-finish process of developing a sitcom. This way I can either colossally fail or succeed — or perhaps somewhere in between — in front of the whole world. So, let’s get on with it, shall we? Continue reading “How to write a sitcom and where to start”