If you attended the Aug. 1 script reading that included my Greek diner sitcom, please take this brief anonymous 8-question survey to share your views about the story and characters. Your feedback is very valuable to me.
You’ve heard the phrase “writing is rewriting,” and that’s particularly true for screenplays and sitcoms because your goal as the writer must be to entertain, and the whole point of the rewrite is to shape your script into one that maximizes the Continue reading “How to rewrite and improve the script”
Sometimes it’s tempting to start pounding out dialogue for a scene before you’ve fully plotted the story or thought about core character traits, but such hastily written dialogue quite often is the worst thing screenwriters write — at least during the first draft anyway — because the goal of the first draft is to finish a first draft, not to have in hand a refined industry-worthy screenplay. But it’s okay, because dialogue easily can be improved simply by Continue reading “How to write a sitcom (step #4): Delivering the snappy dialogue”
One of the best ways to learn how to write a screenplay is, yes, to just write one, but if you’ve never written one before, it’s easy to get derailed by the debilitating thought, “what should I write about?” Just write the film or TV show you want to see, for you’ll naturally be drawn to the genre that interests you the most, which, in turn, Continue reading “Write what you like and who you know”